4 out of 5 stars
On Amazon UK
On Amazon.com
On Goodreads
How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.
In a Nutshell: 11th century historical fiction
As more and more historical novels hit the virtual shelves, authors of the genre are digging deeper to find the lesser known characters to write about. Edith was, as the title suggests, the wife of Edward the Confessor, one of the last Anglo-Saxon kings of England. Edward was succeeded by Harold Godwinson, who was famously defeated by William of Normandy in 1066.
I enjoyed this - it's a light sort of historical fiction that flows well, an 'easy read'. I don't know much about the factual details of this time, but I did have a brief look online and it appears to be well-researched. Also, the domestic details are presented well, with just enough information—I liked that there was none of the endless descriptive passages straight from the research notes that is present in some histfic; I never felt that I was reading the author's research at all, which is always a plus.
On the slight downside there were times when I felt the dialogue was too modern, with the odd mild Americanism such as 'snuck' instead of 'sneaked', though they weren't bad enough to make me stop reading. My only other negative was problems with punctuation; either the author or her proofreader, or preferably both, need to learn about run-on sentences/comma splices; there were quite a lot of these, and the odd missing comma. But, again, this was only mildly irritating.
This isn't a book for the historical fiction purist or buff, but for those who are after an enjoyable, light novel with some well-drawn characters and an interesting look back in time, I'd say it's just the thing.
5 out of 5 stars
On Amazon UK HERE
On Amazon.com HERE
On Goodreads HERE
How I discovered this book: I first got to know of Gemma Lawrence via Twitter, and have been reading her since she published on Wattpad only. I've loved all her books, my favourite being La Petite Boulain, about the early life of Anne Boleyn. You can see my reviews of her other books by clicking the 'Gemma Lawrence' tag at the end of this one.
This is something I love ~ historical fiction about a time with which I'm not that familiar, written in such a way that it teaches me about the period. This is the story of the events that brought about the Norman Conquest of 1066, written from the point of view of Matilda, the wife of William, Duke of Normandy, aka The Conqueror. Not only does it tell the story of the two of them, but also gives much background about the Vikings, Saxons and the rulers of northern Europe, who came before them; it made me want to read deeper into the history (preferably written by this author), and I was completely engrossed.
I investigated the story of Matilda and William while I was reading the book, so I'd know what came from fact and what is of Ms Lawrence's creation, and could see that she's stuck close to 'the script', but told their story in such a way that only she can. Gemma Lawrence's Matilda is clever, vain, proud, ambitious to the point of egomania, narcissistic in the extreme, and so assured of her superiority over all beings apart from her husband that she thinks even her God speaks to her, and that she can buy his grace with gifts of money and her own daughter; in anyone's hands apart from this author's, I might not have wanted to read about her, but I loved this book. Of course the church has long been corrupt, with those high up in it behaving far from the basic ethos of Christianity, but, reading this, it occurred to me that the early Christians did, in fact, treat their God as the pagans did theirs, by offering up material goods in exchange for imagined/expected favours; the insight into the spiritual beliefs of the time fascinated me.
There is much expression of the passion between Matilda and William in this novel, and I will admit to skip-reading some accounts of their frenzied coupling so I could get back to the actual story, but these passages were written so well, highlighted the fierce love between them, and were not in the least bit cringe-making. Their love was illustrated so beautifully when they were fully clothed, too, in the way they worked as one to fulfil their mutual ambition ~ and there's a terrific section when William comes back from battle seriously ill, and Matilda and a monk work tirelessly to nurse him back to health.
The last 20% is taken up with the preparation for and the events of the Battle of Hastings. As the book is written from the point of view of Matilda, I wondered how the novel would end without an anti-climax, as, of course, Matilda was not present, but no: the battle is described in all its horror and gory glory, and Ms Lawrence has found an artful way to make sure no detail was spared.
The question of violence towards women arises in this book, as Matilda's first encounter with William was a brutal one, and Ms Lawrence discusses this at some length in the Author's Note at the end of the book, but even as I was reading it I thought this: we can't judge the people of hundreds of years ago on the standards by which we live now, because attitudes were vastly different, and we do not walk in their shoes. I add this into the review only to make you aware that there is an occurrence of violence towards a woman at the hand of a man, near the beginning.
This is a long book; sometimes there is repetition, with the same factual detail provided more than once. On the odd occasion it felt a little research-heavy, and I felt one or two observations might have worked better written in the present tense, but none of these doubts mattered a jot overall; Gemma Lawrence writes with such intelligence, emotion and innate understanding of her characters and period, and I am so looking forward to reading the next part. Amazon tells us that the highest star ranking should mean 'I loved it', and I did, I loved this book, so I'm happy to award it all five of those potential stars.
In 2015, Gemma Lawrence appeared on my series about writers and their star signs, The Zodiac Files. You can see her piece HERE
