Showing posts with label 3.5 - 3.9 stars. Show all posts
Showing posts with label 3.5 - 3.9 stars. Show all posts

Monday, 27 February 2023

EL NORTE by Harald Johnson #RBRT

 3.5 out of 5 stars


On Amazon (universal link)
On Goodreads



How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: Fast paced organised crime 'on-the-run' thriller

Never a dull moment in this high-speed thriller starring Jager Flores, an eighteen-year-old who goes on holiday with his family (mother, father, sister) to a Honduran island, never suspecting that this will end in a white-knuckle-ride of a journey north to the US - or that he will be accompanied by Flea, a former gangster who wants to disappear.

Jager knows his father is involved with some dodgy people, but does not know to what extent.  

It's clear that the author has spent much time researching every aspect of with how migrants sneak into the US; the local culture and jargon is convincing, throughout.  I was fascinated to read about 'La Bestia', also known as 'El Tren de la Muerte (The Train of Death), the freight train used for the purpose of getting across Mexico for those who can't afford a smuggler.  

The plot is suspense-filled and unpredictable, as every good action thriller should be - the story is well put together, and definitely plot- rather than character-driven, though Flea and his gang at the beginning were very well drawn, I thought.

Unfortunately, though, this didn't quite hit the spot for me, although I usually love on-the-run stories.  I couldn't 'see' Jager; he never jumped off the page like a character needs to, in order for you to care what happens to him.  He is a schoolboy whose parents have seen fit to send him to a therapist and get him hooked on diazepam (Valium) because his personality is of the introverted type and he suffers from 'social anxiety', which apparently means he needs to be dosed up with strong, highly addictive medication.  However, within a couple of days of shocking, tragic events that give birth to his perilous journey, he throws away his pills and starts facing down gangsters, thinking on his feet in the manner of Jack Bauer, and becoming the de facto leader of small parties of South American undocumented immigrants.  I get that dire circumstances can bring out a side of a person that they didn't know existed, but it usually takes more than a matter of days.  I'm afraid I couldn't suspend my disbelief.

Another detail that grated was this: Jager's gangster father kept a top secret, wildly important document containing certain names, that must not fall into the wrong hands ... on a Google doc.  Surely a hacker of the type that exist these days would be able to hack into such a document within minutes?

To sum up, the story has a lot going for it, especially if you like non-stop action, but it didn't really work for me for the reasons stated.  Which is a shame, because I like this author's historical and time travel fiction very much.


Thursday, 27 October 2022

LOVE, LOSS AND LIFE BETWEEN by Suzanne Rogerson @rogersonsm #TuesdayBookBlog #RBRT

3.5 out of 5 stars


On Amazon (universal link)
On Goodreads



How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: Short Story collection, as per the title.


Ten short stories from fantasy author Suzanne Rogerson, snapshots of lives, some with happy endings, others bittersweet.

My favourite was the first one, Spirit Song, about an old lady called Cecilia and her lute.  Short, so atmospheric; I loved it.  I also liked Goodbye Forever, in which an abused wife makes her escape.  This was most exciting and fast-paced, and I whipped through it.  Another favourite was Garden Therapy, with its unexpected plot that unfolded so gradually, and I liked Catalyst, too.

As with many short story collections there were some that appealed more than other; I preferred those with a little glimpse of 'outside this world', rather than the straightforward love stories.  I would say Ms Rogerson's talent is in writing the benign paranormal, for sure!


Monday, 25 October 2021

THE GRIFTER by Sean Campbell and Ali Gunn #RBRT

3.5 out of 5 stars


On Amazon UK
On Amazon.com
On Goodreads




How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: A multi-millionaire conman vs the homeless man he ruined.

An action packed tale about James, whose life was ruined by crooked financier Kent Bancroft, and his plans to retrieve his lost half a million pounds.  It's also about Kent himself, and how the life of a rich man does not always run as smoothly as you might think.

What I liked about this book:
  • The structure - ever since reading Jeffrey Archer's Kane and Abel decades ago, I've adored alternate POV books, especially when, as with this, the lives are poles apart.
  • The pace - the book marches along with just the right amount of inner narrative versus events - there are no boring waffle bits, the characters are well-developed, and all the backstory is nicely woven in at just the right time.  This is something that you may not notice unless it isn't right (like how you don't notice if something is clean, but you do notice if it isn't) - getting it spot on is an art.  
  • The writing style - flowing and so readable, so much so that I wasn't tempted to skip-read even when I wasn't too sure about the content itself.  
  • The quality of the research that had clearly taken place, about the financial detail, life as a homeless person, the art world and other aspects throughout the book.
  • The basic storyline, which appealed to me as soon as I read about it.

What I was not so sure about:
  • There were way too many errors that editor/proofreader should have picked up on, such as the phrase 'the gig is up' instead of 'the jig is up', Marlborough cigarettes instead of Marlboro, multiple instances of the word 'invite' that should have been 'invitation' (unlikely to occur at this level of society), numerous backwards apostrophes at the beginning of words. 
  • I wasn't convinced that an exclusive gym patronised by the aristocracy would be called 'MuscleBound', which sounds more like an establishment owned by Phil Mitchell from EastEnders.  It's only a small thing but it really stood out to me.
  • The story development, which I thought needed more thinking through; many developments/details seemed a tad unfeasible.  An example: a rich financier sharp enough to con thousands of people out of millions but doesn't have an efficient alarm and CCTV system at his house.  
To sum up, if you're willing to suspend your disbelief, it's a jolly good, fun book that zips along, entertains and keeps you turning the pages, and for this I commend it; being able to tell a story that amuses and keeps the attention is indeed a talent worthy of note.  Everyone has different levels of belief suspension, and mine are particularly low; most of the reviews for this book are very positive indeed.


Saturday, 20 February 2021

THE RINGS OF MARS by Rachel Foucar

3.5 out of 5 stars


On Amazon UK
On Amazon.com
On Goodreads




How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In A Nutshell: Sabotage aboard a space ship

About a 500-strong crew on a year-long mission to Mars, to establish a society that will, it is hoped, be part of the solution for all the troubles on earth.  But there appears to be a saboteur on board ship...

I liked the premise very much, and Ms Foucar has a most readable, flowing writing style.  I was drawn in quickly; the beginning, with Jane Parker leaving a dying country, held great promise, and there is an excellent part early on in which a maintenance crew member gets killed.  Around a third of the way through, though, my interest began to lapse.  There are a lot of main and secondary characters, all with unmemorable names like Pat, Pamela, Jane, Mark, Frank, Beth, Sam, which wouldn't have mattered so much if the POV didn't change so often, and most of them didn't talk in the same way.  It was okay at first, and I had a clear picture of Jane, Mark and Pat, but after that it all got a bit hazy.  Having said that, most of the dialogue is basically good; natural, convincing.  

I wasn't sure how old they were all supposed to be, but they gave the impression of being in their early twenties, and sometimes seemed more like students running around a campus than people especially selected to go on this important voyage; I didn't get the feeling that they were on a ground-breaking mission into space.

For a scifi thriller, there was a lot of talking but not very much tension or drama.  I also felt that the plot itself wasn't very clear, as if there hadn't been enough thinking through, but, it didn't help that the mobi copy I was sent for review was badly formatted - on (literally) every other page there was a gap in the narrative thus:

ARC Not for Sale

*page number*

The Rings of Mars 

Rachel Foucar 

....filling a third of the page, sometimes breaking a sentence in two.  Obviously I would not mark down the book itself for this, and I tried not to notice and just read the story, but it became off-putting, and made me lose concentration.  Also, early on, there were a few punctuation errors - simple ones, like apostrophes in plurals.  

This is a first novel - the author definitely has talent, and this story is a great idea.  I would suggest a) working with a good editor to pull it into shape, b) instructing her publisher to make decent review copies before she sends out any more! and c) having a re-think about some of the character names - perhaps make some of them more unusual, and more 21st century.  To sum up - it's good, and has the potential to be very good, but it felt a bit 3rd-draft-ish, and needs more work to make it publication-ready, in my opinion.


Thursday, 24 December 2020

THE SHADE UNDER THE MANGO TREE by Evy Journey

3.5 out of 5 stars

On Amazon UK
On Amazon.com
On Goodreads

  


How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.  I couldn't resist that gorgeous cover, even before I read the blurb!

In a Nutshell: Romance and family dramas, set in Hawaii, California and Cambodia

This book was not as I expected from the blurb.  I did enjoy much of it, even though I was expecting to read about human relationships in general, travel, adventures in and the cultures of countries far away; however, this aspect of it does not start until Part 5, at 72% in the Kindle version.  For the most part, this book is a romance.

Luna and Lucien are two rather humourless, intense young people, both so introspective that I felt the powerful love between them was more about seeing a reflection of themselves in each other.  They meet because Luna leaves her journal in a café they both frequent, and Lucien finds and reads it.  I liked the beginning of the book, when Luna is young and spends her summers with her beloved grandmother in Hawaii; this came alive for me, making me feel nostalgic for a place I had never been to, which is always a good sign.  The grandmother was lovely, and I enjoyed reading about the life there.  As Luna grows older, falls in love for the first time and discovers secrets about her family, her naïveté is a little irritating, and I found Lucien's obsession with her and her journal a little creepy.

I could easily have skipped the drawn-out detail about their love affair to get to by far the most interesting part of the book: Luna's experiences in Cambodia.  I had limited knowledge about this country, and what I read made me want to find out more, so this certainly ticked a box.  

As for the writing itself, it flows very well, and the author writes nicely, though I found the dialogue rather unrealistic, particularly between Luna and Lucien. Much of the book is written in journal entry and letters between the two main characters, a structure I like, and alternates between their two points of view.  I found the main characters too bland to care much what happened between or to them, but this is only personal taste; other readers may see this story as a beautiful romance.  Had there been more about Hawaii and Cambodia and less about Lucien and Luna's self-absorption, I might have loved it.



Thursday, 22 October 2020

THE 5TH WAVE by Rick Yancey

3 out of 5 stars

On Amazon UK

On Amazon.com

On Goodreads

On BookBub 



How I discovered this book: Amazon Browse

In A Nutshell: Post Apocalyptic thriller, with EMP blackouts, tsunamis, pestilence and aliens (yep, it's got the lot!). It is also YA.

I didn't realise when I bought this book that it's YA.  I've recently read other post-apocalyptic books in which the main characters were adolescent, that didn't feel YA at all.  It was only later that I looked at its categories on Amazon, and discovered the intended audience.

That having been said, at first I loved it.  Starts with Cassie, who is 16, in the later stages (the 4th wave) of the takeover of Earth by aliens.  Back to when they first appear - a ship, hovering near us in space for 10 days, while the entire country is in uproar about what it might mean.

The 1st wave is an EMP blackout that wipes out the electrical grid.  The 2nd is a spate of tsunamis around all coastal areas, forcing survivors into the centre of all countries.  3rd, a plague that wipes out 97% of humanity.  The 4th is discovered only gradually - apparent humans who are 'infested' with something that alters their brains to make them think like the aliens.

First we see what happens to Cassie, from the 1st-4th waves.  Next, a chapter from the POV of a teenage boy, who actually survives the plague.  Thirdly, one from the POV of one of the soldiers whose was impregnanted with whatever it is that the aliens put there - this happened 4 years before.  This part, in particular, I found most absorbing.

Then we go forward a little and find Cassie trapped in the snow, almost dead.  This is where the book fell down for me.  Her saviour just happens to be an amazingly hot-looking guy of around 18, who is living in a cabin alone.  Somehow, he has all the equipment and know-how to save her from certain death.  Despite them having lost everything, being in horrendous danger and, no doubt, deep shock, the two engage in flirtatious teen banter, and it becomes more like the sort of romance I would have abandoned even when I was at the younger end of the book's target market.  So I stopped reading it, which was shame, because the rest of it was SO good.  I might go back to it, and just skip-read the romance bits.  I'm not sure. 

I wouldn't normally review a book I didn't finish, but I am doing so because a) I had already set up this page with the links, b) the rest of it was extremely good, and c) it might help other YA writers to realise that 'teenage' doesn't mean 'unaware that developments are ludicrous'.  On the other hand, it's got literally thousands of great reviews, so maybe it's just me.  On the other other hand, some of the lower star ones also complain about the emphasis on the teen crush, rather than the excellent plot.  So maybe it's not.

 

 

Friday, 25 September 2020

KNIGHT IN PAPER ARMOR by Nicholas Conley

3.5 out of 5 stars

On Amazon UK

On Amazon.com

On Goodreads



How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In A Nutshell: Supernatural/dystopian/near future US

Billy Jakobek was born with powerful psychic abilities and has lived most of his life in a town called Heaven's Hole, under the care of the Thorne Corporation that dominates America.  Billy absorbs the physical pain, trauma and memories of everyone he meets, which, most of the time, causes him fear and sadness.  He frequently visited by an entity called The Shape, which he perceives as being the darkness in man, and which predicts a calamitous future for mankind.

At school, Billy meets Natalia, with whom he feels an immediate, powerful connection—it is more than just attraction.  Elsewhere, we learn more about Billy's 'Mother', aka scientist Roseanne, and Caleb Thorne himself.  I liked that the author wrote chapters from Roseanne and Caleb's point of view, too, as shows us what is really going on behind the scenes—and what Caleb's plans are once he has harnessed Billy's powers.

I liked the feeling of depressed doom about the town of Heaven's Hole, in which immigrant workers live and work in appalling conditions, though I would have liked to know more about it, and also how the country came to be how it is now—more background would have been welcome. 

The characterisation is good; I had a clear picture of who each of the main players were, and the dialogue is strong and realistic, the emotions portrayed well.  What I was not so keen on was the frequency of inner thoughts in italics (on just about every page), and the fact that the book was more YA-orientated than I thought it would be; I would class it as a YA book even though it is not listed as such.  One can have enough 'teen speak'.

I thought this book would be very much my cup of tea, though it wasn't so, but it's good of its type, and it is clear that a lot of work and thought has gone into it; and the aspects I was not so keen on are down to personal taste rather than there being anything wrong with the book.  I've given it 3.5* for how much I enjoyed it, though it's worthy of 4* for readers who enjoy teen-supernatural books with powerful themes of good and evil, and the overcoming of light over dark.

 

Tuesday, 15 September 2020

DARK OAKS by Charlie Vincent

3.5 out of 5 stars

On Amazon UK

On Amazon.com

On Goodreads




How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In A Nutshell: Thriller, set in Monaco and Hampshire

When I started reading this book I was at once impressed by the writing style and enjoyed reading about wealthy doctor Charles Mason and his ritzy lifestyle in Monaco; there was a certain dry humour about his observations and the narrative flowed well.  There were a few minor proofreading errors which I could overlook, because I liked what I was reading.

Charles wakes up on the morning after his extravagant annual party to find that everything is not as it should be, in a big way.  The book then moves to Dark Oaks, his ancestral home in rural Hampshire.

It is clear that the author knows Monaco well, and I liked reading about the lifestyle, but there is a little too much detail that is not relevant to the rest of the book.  Throughout, there are long blocks of description, much of it superfluous, which is unbroken by dialogue and slows down the plot, not least of all a long paragraph describing the making of a sandwich, and a wince-making piece of exposition in which Charles has the phrase 'chop shop' explained to him, which is clearly only there to explain to the reader (I thought it unlikely that Charles would not have known what a chop shop was).  

The book is basically well-written, and the plot is interesting, but the structure lets it down.  The history of the family is told in backstory when Charles gets to Hampshire; an initial few chapters set in the past, at the beginning, would have set the scene much more effectively, and linked the Monaco and Hampshire sections together - once Charles got to Hampshire I felt as though I was reading a completely different story, with the sudden introduction of a number of new characters who had not been mentioned previously.  To sum up, there is much to commend about this book, but I think it could use a bit more thinking through and the hand of a good content editor.


 

 

 

Thursday, 4 June 2020

ODD NUMBERS by JJ Marsh

3.5 out of 5 stars

On Amazon UK
On Amazon.com
On Goodreads


How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: Psychological/mystery/drama about five friends and their biennial reunions.

I chose this book from the review team list because I loved An Empty Vessel by this author, though this book is completely different.

For the past twenty years, Gael, Lovisa, Mika, Simone and Clark have spent every other New Year together, taking it in turns to choose the venue for a short holiday.  There used to be six of them, but Dhan died at their Y2K celebration two decades before.  At the time it was thought to be a terrible accident, but as the book progresses, we start to wonder if it was suicide, or even murder.

Interesting, interesting - and it is a testament to JJ Marsh's storytelling skill that I enjoyed much of this, and was eager to find out what happened, despite some issues I had with the novel as a whole.

The book is told in first person chapters from all five friends, and dots back and forth in time between the present and the various reunions of the past twenty years, which were held in many different locations.  To say I found the zig-zagging between time and locations confusing is something of an understatement; by half-way through I decided to stop trying to remember exactly where and when I was currently supposed to be, who was married to whom when, what already had or hadn't happened in the chapter I was reading, and just concentrate on the relationship dynamics, and the uncovering of the mystery.

One of the characters comments that if it was not for Dhan's death, maybe their friendship would not have endured.  I thought she was probably right, as much of the time they don't seem that keen on each other.  None of them are very likeable people (even the 'nice' one talks in humourless therapy-speak half the time), but I don't mind that.  I'd rather read about a sociopath than a saint any day; it's far more interesting, the only problem being not having anyone to root for when all the characters are self-centred, cunning and/or in denial about more or less everything. 

Aside from the chaotic timeline, I found it difficult to 'know' any of them, because each of their point-of-view chapters is written in much the same 'voice', despite their being of different nationalities, different social classes, etc.  Aside from the varying subject matter, the odd Americanism from Clark, and Simone being a manipulative, particularly nasty piece of work, they all use the same language, have the same speech patterns, similar mood, tempo, vocabularies.  Mika, Lovisa and Gael I could never 'see' at all; sometimes I thought I was reading Mika when it was Gael, etc.  I also found some of the dialogue unrealistic.

Having said that... (and it's a big 'having said that') I did enjoy reading this book, became immersed in the intrigue and thought the basic plot was great.  I liked the slow uncovering of each person's dark secrets, the truth about Dhan and the final drama, though it felt a bit rushed; I think more could have been made of it.  There were a fair few irritations (not least of all the reiteration of the current trend I've noticed on new, young audience TV shows: that out of any group of young people, fifty per cent of them will have casual sex with either gender at the drop of a hat), but I found that ... yes, I couldn't put it down.  It's a hard one to rate. Yes, I liked it.  Sort of.  Mostly.

To sum up:  The plot kept me interested throughout.  JJ Marsh's innate talent does come across, despite the book's weaker elements; although the characters never really came to life for me, I liked the story a lot.  So although I couldn't say 'yes, definitely, you must buy this', I also want to say, it's fun and original, and I did like it.  Mostly.  Sort of.


Thursday, 7 May 2020

INTO THE SUFFERING CITY by Bill LeFurgy

3.5 out of 5 stars

On Amazon UK
On Amazon.com
On Goodreads



How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: Historical Fiction, 1909 Baltimore, murder mystery

A most professionally presented book, which centres around the murder of a showgirl.  Dr Sarah Kennecott is a doctor who happens to be on the autism spectrum, though of course this was not recognised in those days.  She becomes fascinated with the case and can't let it rest, despite much family and political opposition; she also has to contend with the attitude of the time towards professional, educated women.  Through her passionate interest in Lizzie Sullivan's murder, she becomes involved with Jack Harden, a down-on-his-luck private detective.  This association is not looked upon kindly.

The author clearly has a great love for his subject, and I appreciated the pictures drawn of the development of this new city, with its excitement and opportunity, but also its dark side: corruption, narcotics, prejudices.  It is most intelligently written (the author is a professional historian and archivist), and a most commendable debut.

The only problem for me with this book was that it lacked that spark that might have made it a real page-turner.  I felt a lack of suspense, and didn't become involved with the characters; they felt distant, and never became more than names on a page for me.  This could be just personal taste, though, as I often struggle with third person characters written in the omniscient narrator style.  I am sure that if the author works on his actual storytelling he could produce something marvellous in the future; the rest of it, I could not fault.


Monday, 23 March 2020

HIGHWAY TWENTY by Michael J Moore

3.5 out of 5 stars

On Amazon UK
On Amazon.com
On Goodreads



How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: Contemporary creature horror, small-town America

I enjoyed reading this—I like books set in small-town America, and this had a rather B-movie, pulp fiction feel to it, suitable for the genre.

The townspeople of Sedrow Woolley, Washington State, are disappearing—then they come back and they're ... different.  The book starts off with a man abducting a small boy, and finding that he has bitten off more than he can chew; a most compelling, if shocking, beginning.  The main characters are a mechanic called Conor and a homeless man, Percly, who sleeps in a disused train, and the story alternates between their chapters, written in third person point of view.

The great strength of this story is the characterisation and dialogue, which was spot on and totally convincing, particularly the highly likeable Conor, his wild and boozy girlfriend, Shelby, and his colleague, John.  It's a very easy read, a page-turner, and flowed well; Mr Moore can certainly spin a yarn, and the suspense was delivered well, too, with the story unravelling at a good pace.

My only complaint is that it did feel a bit too pulp fiction at times; I could imagine it being a slim volume that one might pick up in a 'dime store' in 1950s Sedrow Woolley, with a picture of a cartoon damsel in distress running away from a monster, on the front—it does need a better proofreader/copy editor, as I found more errors than I would expect, with issues like backwards apostrophes at the beginning of words, and the odd wrongly assigned dependent clause.  But it's good, and basically well-written.  If you enjoy these sort of stories and aren't too picky about minor errors, I think you'll love it.



Tuesday, 14 January 2020

THE CITY BELOW THE CLOUD by T S Galindo #RBRT

3.5 out of 5 stars

On Amazon UK
On Amazon.com
On Goodreads

 

How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: Scifi/dystopian novella

Kalan and her younger sister, Sett, live in a climate-changed world in which every minute of every day is a struggle to survive.  Kalan spends her days scrubbing infected lichen from walls of buildings, trying to earn enough for her and Sett to sleep with a roof over their heads.  Life is cheap...

The premise of this book is original, inventive and interesting, and the writing itself is intelligent and evocative.  Some of the characterisation is great - namely Sett and a band of itinerant scavengers, the 'glow punks' - but at other times I felt it came second in the author's mind to describing the world he has created.  Much of the world-building is delivered via an omniscient narrator, so it read like a newspaper article, or an introduction.   

The dialogue is mostly sharp and convincing, except for sections of inner dialogue; rather than keeping Kalan and Sett's thoughts in the third person and writing them in 'deep point of view', the author has them talking to themselves, expressed in a rather clumsy first person.

To sum up, it's an unusual and most atmospheric story and has a lot going for it, and there is no doubt that the author has talent, but I think he would benefit from studying the craft of fiction writing in order to learn more effective methods of putting his story across.  It is his debut; he clearly has much potential still to be realised. 

 

Monday, 16 September 2019

THE ECHO CHAMBER by Rhett J Evans

3.5 out of 5 stars

On Amazon UK
On Amazon.com
On Goodreads



How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: SciFi, dystopian techno-thriller involving AI and social media

What I liked:
  • The author has talent; this a most original novel that makes some interesting points in an intelligent and well-informed fashion.  Basically, he can write good sentences, has a fine handle on suspense, and uses words creatively.
  • It is clear that he really knows his subject: Silicon Valley, the dangers of AI and dependence on social media; how it is now so ingrained into our culture.  The Echo Chamber shows a good understanding of the future that is just around the corner, some of it already happening; the manipulation of our thoughts and prejudices by the media, the lack of security concerning the data we give out so freely, and its use by AI to re-order the population.  This is all stuff I love to read about, and some of which I have written about myself, so certain aspects had me engrossed.
  • It is inventive; I was impressed by the world put together within the pages, and the insight.
  • There are some great twists.
  • It's well professionally put together, and decently proofread.
  • The author has something to say.  This, I think, makes a novel more than just a story.

What I was not so sure about
  • It's very technical in parts; as I've said, I have an interest in the subject matter, but some of it I found rather heavy-going.  I think that if you don't have a quite good understanding of new technology, much of it might go over your head.
  • The structure: it goes back and forth between 'Before' (the collapse of the US) and 'After', with other 'Outside Time' sections.  I'm usually a fan of going back and forth between different periods, but in this case I think a linear structure would have worked so much better.  I kept enjoying the 'Before' parts, then being dragged out of it to read about different characters and situations, 'After'.  This hampered the flow, and made it definitely not an 'easy read'.*  I wondered, at times, if it was experimental for the sake of being experimental.
  • The dramatic event and its fallout, when it happens, is dealt with so quickly - instead of seeing it experienced from character point of view, we are just told about it, in a brief fashion, by a narrator.  
  • Most of all - there is little or no characterisation.  I felt as though the author had thought up a brilliant plot, but added the characters as an afterthought.  Mostly, they're just seem like names on the page, as vehicles for what he wanted to write about.  Only one is at all three-dimensional (Orion). 

This is a debut novel, and, as I said, I can see that Mr Evans has talent and a great deal to say, but I think he needs to take some time to learn about writing as a reader, and understanding that characters are central to any story - because readers react to what happens in a fictional world because of how it affects the people they're reading about, not because of the events themselves.  It does, however, have a few stunning reviews, so if you're madly into tech rather than people, you might love this book.


*When I was writing my novel Tipping Point, about certain powers-that-be using data given freely on social media to determine who would survive a virus, I originally used the alternating between before and after structure, until, during the second draft, I realised how frustrating it was to read; I'd be enjoying the build up of suspense as I was redrafting, then be taken out of it to read about a scenario months later.  With so many styles being commonly used these days - multiple POVs, both 1st and 3rd person narration, time-slips, etc, it can be easy to complicate for no particular reason; sometimes, the simple format of just telling a story from start to finish is the most readable.  Not always, but sometimes.

Thursday, 1 August 2019

KILL CODE by Clive Fleury #RBRT

3.5 out of 5 stars

On Amazon UK
On Amazon.com
On Goodreads


How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: Climate change, dystopian, set on the west coast of the US 

At some time in the relatively near future, climate change has affected the world in such a way that those who can afford good food and fresh water live in protected zones, with the majority of the population struggling to survive.  Hogan Duran is a former cop scratching a living, until he is given the opportunity of a lifetime with the NSC - the all-powerful National Security Council.  

I loved the first 40% of this book.  The world-building was terrific, and I was engrossed.  When Hogan gets his life-changing opportunity, he and many other candidates are put through a 'last man standing' series of tests, which was also a real page-turner; this part was great, original and gripping.  Later, there is a jaw drop of a twist when he discovers that his experiences are not as they seem....

The second half of the book is mostly taken up with action scenes and daring escapes, as some of supposed 'goodies' come up against the Krails, a rebel biker gang.  Here, I found that my interest wandered; I rarely find that action in books works anything like as well as it does on screen; there is too much explanation of 'this happened then that happened', and much of it seemed like the stuff of superheroes rather than a man who has been undernourished for years.  I was also unconvinced by the escape in the last third of the book, when the all-seeing people in charge suddenly seemed not so all-seeing after all, enabling Duran and his friends to do all they did.

I thought the characterisation of Duran was extremely well done in the first half of the book; I could really see him.  However, I often find in action books written by men that the women are just men with a female name, or a one-dimensional kick-ass heroine fantasy who is naked as often as the story will permit; Ruby was never more than a word on a page for me.  Also, the plot delves in and out of virtual reality, which was sometimes confusing.  

I liked the ending, and may possibly check out the next in the series because I like the premise, but I'd have preferred it if the book had concentrated more on the characters and less on the outlandish action plot of the second half.


Wednesday, 17 April 2019

JANE THE QUENE by Janet Wertman @JanetWertman

3.5 out of 5 stars

On Amazon UK
On Amazon.com
On Goodreads




How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: the story of Jane Seymour, 3rd wife of Henry VIII.  Book 1 of 2 book series, The Seymour Saga.

A light piece of historical fiction that, on the whole, I liked.  I was tentative at first, being very much 'Team Boleyn' as far as the six wives are concerned, but I was pleased to note that Jane Seymour was not portrayed as the meek angel of many a historical novel or TV drama, but every bit as calculating as her predecessor in her mission to capture the heart of Henry VIII; she was used as a tool by her ambitious family in exactly the same way.

The book is written in alternative third person POVs: that of Jane herself, and Thomas Cromwell.  I liked that the author showed the downfall of Anne Boleyn to be a fiction carefully constructed by Cromwell, who knew that Henry needed to get rid of her so he could marry another who might give him a son, but that he could not afford to have another abandoned ex-wife who refused to disappear.  Thus, a story had to be concocted to justify the murder of Anne.  I also liked the explanation of the dissolution of the monasteries; it is clear, concise, and makes for a good understanding of the whys, hows and consequences.  Janet Wertman writes factual detail in a fashion that is both easy to read and entertaining; thus, this book would be an excellent choice for someone who doesn't know much about the era; for instance, she even explains what a monarch's yearly Progress is.  Now and again I was a little too aware of the research being translated into the narration, but on the whole it was executed well.

The author is American and, alas, I did come across some American English in dialogue, along with historical inconsistency and modern phraseology.  Examples: 
  • 'Snuck' - the British English past tense of the verb 'sneak' is 'sneaked'.
  • 'Snicker' - British English is 'snigger'.
  • 'Gift' used as a verb and 'caring' used as a general adjective to describe someone - these have only crept into British English in more recent years.
  • A reference to mashed potatoes - potatoes were not introduced into this country until some fifty years later, by Sir Walter Raleigh.
  • The phrase 'in for a penny, in for a pound' - the first recorded use of this phrase was in a play, in the late 17th century.
  • 'teenagers' - not in use until the latter half of the 20th century.
  • Henry said, 'You center me, Jane'.  So American and 21st century that it might as well have 'Gee' at the beginning and 'lol' at the end!
I also thought that, now and again, the dialogue between Kings, courtiers and Jane was too familiar, and doubted that Cromwell would have introduced the idea of Anne Boleyn's treason to the King while both were in the presence of Jane Seymour.  I'm aware that writing historical fiction that takes place outside one's own country must be an incredibly hard thing to do, and I always feel sorry for authors whose editors have let them down.  Google alone is a wonderful and easy-to-use tool.

Despite these 'dodgy' areas, though, I did enjoy reading it.  The writing flows, Ms Wertman tells a story in a compelling fashion, and I believed in the characters; these three factors alone are much of what this writing thing is about, after all.  With assistance from a more experienced editor (possibly an English one?), I imagine her work would get better and better.  To sum up, I would say this is light fiction for the newer reader of the genre; perhaps lovers of programmes like Showtime's The Tudors series, or who enjoy an introduction to the period, rather than the serious history addict - avid readers of this genre are notoriously picky!

Wednesday, 10 April 2019

MURDER UNDONE by Robin Storey

3.5 out of 5 stars

On Amazon UK
On Amazon.com
On Goodreads


How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.

In a Nutshell: Woman murders husband.  Gets chance to go back in time and make different decisions.  Involves drugs, sex, criminal underworld.

This book starts well, with main character Eva poisoning her cheating husband.  Fast forward twenty years: she's married again, and living with the fall-out.  Except she can't deal with it; she drinks too much, and goes into bars to pick up men for casual sex.  Then she is offered a chance to go back in time, still retaining her memories of her 'real' life, and not murder Cheating Charlie after all....

I found this author's style pretty readable; I'd suddenly realise I'd galloped through 10 pages or so, without thinking about stopping to make notes, which is a good sign.  I was moderately drawn in when I first started to read, but as soon as Eva got a chance to go back in time, I thought, ah—now I'm interested!

The story continued to zip along in a readable fashion, but I did have some problems with it.  Eva's character seemed more like a vehicle for the plot that the other way round; I never believed in her.  One minute she is the pampered, submissive wife of a millionaire businessman, the next she is daredevil sleuth, able to talk her way into any private location, and mixing with the criminal underworld without turning a hair, to the extent of having sex with them for information (and enjoying it despite the guy having had a knife to her throat, but I'm not even going to go there; the cocaine she'd taken, alone, would make her paranoid and agitated in this situation).

I was dubious about some dialogue (the way one of the female characters talks about sex would make Samantha from Sex and the City cringe) and unconvinced by some events; for instance, before she goes back in time, Eva is around 60 years old, but gets hit on/approached for casual sex every time she enters a bar to have a drink.  However glamorous and well-kept a woman of that age may be, I found this a little unlikely.

One other point is something the author might want to consider for future work of this genre.  Later in the book, Eva is caught driving under the influence of cocaine.  There was a detailed chapter about her court appearance, ending with the news report about it on TV.  Why not just cut the whole court thing, and start the chapter with the news report, ending with a paragraph or two about how she felt, watching it broadcast to the world?  That would have given all the information the reader needed, and let them get on with the more juicy stuff, like infidelity, deteriorating marriage and underworld dealings ...

... because it is a rip-roaring tale, and not badly put together at all, generally. 
The basic idea is great, though I didn't feel enough use was made of the fact that she was living her life over again; I expected more references to the past, and perhaps the steering of other events, too.  It's a bit like a watered-down Jackie Collins (that's a compliment, by the way!), but, alas, I need to be convinced by and become totally involved with the characters in order to really enjoy a book, and Eva never came alive to me.

To sum up: the author has much of the skill and writing style for this genre, but it still needs a bit of fine tuning!