3.5 out of 5 stars
On Amazon UK
On Amazon.com
On Goodreads
How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.
In a Nutshell: the story of Jane Seymour, 3rd wife of Henry VIII. Book 1 of 2 book series, The Seymour Saga.
A light piece of historical fiction that, on the whole, I liked. I was tentative at first, being very much 'Team Boleyn' as far as the six wives are concerned, but I was pleased to note that Jane Seymour was not portrayed as the meek angel of many a historical novel or TV drama, but every bit as calculating as her predecessor in her mission to capture the heart of Henry VIII; she was used as a tool by her ambitious family in exactly the same way.
The book is written in alternative third person POVs: that of Jane herself, and Thomas Cromwell. I liked that the author showed the downfall of Anne Boleyn to be a fiction carefully constructed by Cromwell, who knew that Henry needed to get rid of her so he could marry another who might give him a son, but that he could not afford to have another abandoned ex-wife who refused to disappear. Thus, a story had to be concocted to justify the murder of Anne. I also liked the explanation of the dissolution of the monasteries; it is clear, concise, and makes for a good understanding of the whys, hows and consequences. Janet Wertman writes factual detail in a fashion that is both easy to read and entertaining; thus, this book would be an excellent choice for someone who doesn't know much about the era; for instance, she even explains what a monarch's yearly Progress is. Now and again I was a little too aware of the research being translated into the narration, but on the whole it was executed well.
The author is American and, alas, I did come across some American English in dialogue, along with historical inconsistency and modern phraseology. Examples:
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'Snuck' - the British English past tense of the verb 'sneak' is 'sneaked'.
- 'Snicker' - British English is 'snigger'.
- 'Gift' used as a verb and 'caring' used as a general adjective to describe someone - these have only crept into British English in more recent years.
- A reference to mashed potatoes - potatoes were not introduced into this country until some fifty years later, by Sir Walter Raleigh.
- The phrase 'in for a penny, in for a pound' - the first recorded use of this phrase was in a play, in the late 17th century.
- 'teenagers' - not in use until the latter half of the 20th century.
- Henry said, 'You center me, Jane'. So American and 21st century that it might as well have 'Gee' at the beginning and 'lol' at the end!
I also thought that, now and again, the dialogue between Kings, courtiers and Jane was too familiar, and doubted that Cromwell would have introduced the idea of Anne Boleyn's treason to the King while both were in the presence of Jane Seymour. I'm aware that writing historical fiction that takes place outside one's own country must be an incredibly hard thing to do, and I always feel sorry for authors whose editors have let them down. Google alone is a wonderful and easy-to-use tool.
Despite these 'dodgy' areas, though, I did enjoy reading it. The writing flows, Ms Wertman tells a story in a compelling fashion, and I believed in the characters; these three factors alone are much of what this writing thing is about, after all. With assistance from a more experienced editor (possibly an English one?), I imagine her work would get better and better. To sum up, I would say this is light fiction for the newer reader of the genre; perhaps lovers of programmes like Showtime's The Tudors series, or who enjoy an introduction to the period, rather than the serious history addict - avid readers of this genre are notoriously picky!
3.5 out of 5 stars
On Amazon UK
On Amazon.com
On Goodreads
How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.
In a Nutshell: Woman murders husband. Gets chance to go back in time and make different decisions. Involves drugs, sex, criminal underworld.
This book starts well, with main character Eva poisoning her cheating husband. Fast forward twenty years: she's married again, and living with the fall-out. Except she can't deal with it; she drinks too much, and goes into bars to pick up men for casual sex. Then she is offered a chance to go back in time, still retaining her memories of her 'real' life, and not murder Cheating Charlie after all....
I found this author's style pretty readable; I'd suddenly realise I'd galloped through 10 pages or so, without thinking about stopping to make notes, which is a good sign. I was moderately drawn in when I first started to read, but as soon as Eva got a chance to go back in time, I thought, ah—now I'm interested!
The story continued to zip along in a readable fashion, but I did have some problems with it. Eva's character seemed more like a vehicle for the plot that the other way round; I never believed in her. One minute she is
the pampered, submissive wife of a millionaire businessman, the next
she is daredevil sleuth, able to
talk her way into any private location, and mixing with the criminal
underworld without turning a hair, to the extent of having sex with them for information (and enjoying it despite the guy having had a knife to her throat, but I'm not even going to go there; the cocaine she'd taken, alone, would make her paranoid and agitated in this situation).
I was dubious about some dialogue (the way one of the female characters talks about sex would make Samantha from Sex and the City cringe) and unconvinced by some events; for instance, before she goes back in time, Eva is around 60 years old, but gets hit on/approached for casual sex every time she enters a bar to have a drink. However glamorous and well-kept a woman of that age may be, I found this a little unlikely.
One other point is something the author might want to consider for future work of this genre. Later in the book, Eva is caught driving under the influence of cocaine. There was a detailed chapter about her court appearance, ending with the news report about it on TV. Why not just cut the whole court thing, and start the chapter with the news report, ending with a paragraph or two about how she felt, watching it broadcast to the world? That would have given all the information the reader needed, and let them get on with the more juicy stuff, like infidelity, deteriorating marriage and underworld dealings ...
... because it is a rip-roaring tale, and not badly put together at all, generally.
The basic idea is great, though I didn't feel enough use was made of the fact that she was living her life over again; I expected more references to the past, and perhaps the steering of other events, too. It's
a bit like a watered-down Jackie Collins (that's a compliment, by the way!), but, alas, I need to be
convinced by and become totally involved with the characters in order to really enjoy a
book, and Eva never came alive to me.
To sum up: the author has much of the skill and writing style for this genre, but it still needs a bit of fine tuning!
