5 out of 5 stars
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How I discovered this book: Had seen the artist's photography on Twitter.
In A Nutshell: Wonderful photographs and a little about the history of Pennysylvania.
I have a fascination for abandoned houses, dereliction, places where once there was life, now fallen into disrepair. Having seen some of Janine Pendleton's photos on Twitter, I explored her website and bought this book. It came with two prints of my choice. This was one I chose:
At the beginning is a brief history of the state, and the photographs are divided into sections: churches, prisons, a trolley car graveyard, hospitals, cars, etc. Each place is named, and Ms Pendleton has explained why it fell into decay.
It's a terrific book, with just the right amount of text to go with the photos, which are amazing. I bought a copy for my brother, and he loves it too! A great purchase for anyone who has an interest in the subject matter. Highly recommended.
5 out of 5 stars
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How I discovered this book: Already a fan.
In a Nutshell: Non-fiction: memoir, journal entries and poems.
The Blurb:
Life in a long-stay motel, overseen by the on-site muscle: 'if this was a
movie, he'd be played by Steve Buscemi'. Twelve-hour shifts at a
mundane job alongside a host of strange characters with their own
struggle to make it to the end of the day. Anecdotes from journals of
adventures past: wannabe musicians, ill-fated relationships and the
bottom of a bottle.
Musings on life, death, dreams, and the
frustrations of the writing process: the journal entries were written
while during the creation of the author's debut novel, Rum Hijack.
Dream Diary
The second part of Plumas de Muerte is as it says: a small collection of dreams: what goes on while we are asleep?
A
raw ride that makes no attempt to gloss over the darker side of the
author's life at the time, while acting as a cautionary tale about the
nightmare of substance abuse - and the final road of
alcoholism/addiction.
My review:
The 'Tequila Journals', the first part of this book, makes up 80% of the whole. There are two main settings: an unnamed place of work, and the motel in which the diarist lives. Doesn't sound very thrilling? It is. PM is one of those scribes who has the knack of making an after-work beer in a fast food establishment or wrangles over his room rent with the seedy 'Steve Buscemi' as riveting as any 'fast-paced' action thriller. I once noted that memoir writer Val Poore managed to bring tears to my eyes in a short chapter about the lighting of oil lamps. This was similar; it's not the subject matter, but the innate talent of the writer.
When I got nearer to the end I felt that, although maybe not meant as such, it does make up an actual story. We see how PM's frustration with his working life and writing increases, how he becomes jaded with (and fails to chase up) possible romantic opportunities, how his depression about events from the past deepens, his drinking becomes more and more out of hand, until happiness visits his life once more, only to be ripped away—and sends his life spiralling completely out of control. At the end, I turned over the page and thought, 'What, no more? But what happens next?'. I'm hoping he will write the next 'chapter' at some point.
One of my favourite sections in the Tequila Journals was a look back at a crazy, chaotic time spent in Colorado, which reminded me of a Kerouac novel, though there's nothing pretentious, plagiarised or 'wannabe' about PM's writing style; it's unique, and appears to be the sort of effortless that tells me he doesn't realise how good he is. Throughout, every character is perfectly captured in just a couple of lines of dialogue.
The dream diary at the end: I am one of those who dislikes dream sequences in films or books, and suppresses yawns when people go into detail about a dream they had, but I liked these; they were well put together, not rambling, and the style and structure varied. Also, having read the book, I could see what was behind some of them—some aspects of loss, isolation and anger.
I've read the novel, Rum Hijack, that PM was writing at the time these journal entries were made, and I loved it, but in a way I like some aspects of this collection even more. Includes some relevant artwork and photos. Highly, highly recommended.
3.5 out of 5 stars
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How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.
In a Nutshell: Historical Fiction, 1909 Baltimore, murder mystery
A most professionally presented book, which centres around the murder of a showgirl. Dr Sarah Kennecott is a doctor who happens to be on the autism spectrum, though of course this was not recognised in those days. She becomes fascinated with the case and can't let it rest, despite much family and political opposition; she also has to contend with the attitude of the time towards professional, educated women. Through her passionate interest in Lizzie Sullivan's murder, she becomes involved with Jack Harden, a down-on-his-luck private detective. This association is not looked upon kindly.
The author clearly has a great love for his subject, and I appreciated the pictures drawn of the development of this new city, with its excitement and opportunity, but also its dark side: corruption, narcotics, prejudices. It is most intelligently written (the author is a professional historian and archivist), and a most commendable debut.
The only problem for me with this book was that it lacked that spark that might have made it a real page-turner. I felt a lack of suspense, and didn't become involved with the characters; they felt distant, and never became more than names on a page for me. This could be just personal taste, though, as I often struggle with third person characters written in the omniscient narrator style. I am sure that if the author works on his actual storytelling he could produce something marvellous in the future; the rest of it, I could not fault.
4 out of 5 stars
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How I discovered this book: I've read all of Judith Barrow's books, so I bought this as soon as it came out.
In a Nutshell: Intense family drama dealing with Down's Syndrome, bereavement and dementia.
I liked the structure of this book a lot - it's written in the first person, and each chapter starts with a small section in the present day (2002), with Irene, the main character, taking care of her mother, who has dementia. Then it goes back in time, starting in 1963 when she was a child, and her sister, Rose, who has Down's Syndrome, is born. I really loved the first third, which detailed Irene's love for her sister (quite beautiful) and the difficulties within the family, with her cold, brusque mother, delightful father and the grandmother she adored. I was completely absorbed. The rest of the story pivots around a shocking event that takes place at around 40%.
The book slowed down for me a little during the middle section, which was about Irene's growing up and the early part of her marriage to Sam, and I found the family's lives rather depressing (which is a bit rich coming from someone who writes about dystopian horrors, but I find the end of the world as we know it less depressing than a humdrum life. I know, I'm weird). In the final third developments became much more interesting, and I was engrossed once more. I would have liked a little more in the way of plot, but that's just personal taste, not a criticism; this is a character rather than a plot-driven book.
The strongest aspect of the latter part of the book was the initial development of the mother's dementia; I have experience of this with my late mother, and, although the circumstances were very different, it certainly struck a chord, with one particular episode bringing tears to my eyes.
My favourite characters were Irene's father and her husband, Sam, who I thought got a bit of a raw deal and put up with too much (I do hope he had more fun than he admitted to Irene, during a time when circumstances forced them apart). I can't say I liked Irene, who put her own obsession with the past before his happiness, and whose outlook often seemed rather narrow (I kept wanting to tell her to lighten up, and do something a bit crazy!), but I appreciated how deeply and lastingly she was affected by the aforementioned shocking event, and she's a thoroughly three-dimensional character.
The other star of the book is the time and place—the working class northern England of the 1960s and 70s, which was as starkly and realistically portrayed as any TV kitchen sink drama.
The ending brings a most surprising twist directly related to the events of Irene's earlier years, which filled me with regret on her behalf. If you enjoy emotional family dramas that dig deep into the psyche, you will love this book, with its vivid descriptions of familial conflict, loss and the day to day difficulties of caring for a person with dementia.
5 out of 5 stars
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Also free on Kindle Unlimited
How I discovered this book: I read and loved the original version...
In A Nutshell: Darkly humorous literary fiction about a delusional would-be writer.
Rum Hijack was originally written as three novellas, some years ago; I read them all as they came out, and loved them - now they're back as one novel, a new and improved version that retains all that I liked about the original, but is much more streamlined, better edited and put together so well that you can't see the join, as it were.
The nameless young male protagonist tells his story in the first person; later to call himself Inkker Hauser, he lives alone in a flat left to him by his grandfather, does not work, and leads a rather lonely life; often, his only company is his beloved goldfish, Kursk (named after his favourite nautical disaster), and the staff and drinkers at his local pub.
Inkker is convinced that he is destined to become a writer of such importance that, once his masterpiece is written, all other literary works will pale beside it. He pours scorn on self-published ebook writers, on the pretentious and the less intelligent, sure that once his words burst forth, the world will recognise and revere his unmatched talent. His lack of production he puts down to 'writer's block', and, as his frustration mounts, his grip on reality slides slowly down hill, lost in alcoholic and drug-induced chaos.
Although very much a contemporary novel, with its references to the technology and culture of today, the book it reminds me of most is Victorian comic novel Three Men In A Boat by Jerome K Jerome; similarly, the young man darts off at tangents to talk about something else in such a way that you don't mind because it's every bit as entertaining as the main story. Also, the observations about human behaviour are both amusing and remarkably astute, and the standard of the writing itself is as good as any cult literary classic.
Aside from this, what makes the book work so well is the fact that the young man is oddly likeable, despite his deranged alcoholism and cynical outlook. I found myself really wanting him to find some love and peace of mind. He is kind to the less fortunate, and to the old lady in a nearby flat, and his love for his fish is very sweet and quite heartbreaking, because he has no one else on which to focus. There's also a terrifically moving section in which he talks at length about a childhood outing with his grandfather.
His loneliness and shame over the consequences of his bizarre actions is sometimes painful to read - having said that, though, one of my favourite parts in the entire book is the cringe-making downward spiral of a disastrous date, in which his behaviour becomes increasingly out of control as he drinks far too much and tops it up with cocaine. The best 'bad date' story I've read!
If you like Charles Bukowski, Hunter Thompson, Philip K Dick, William Burroughs... I hope this book can gain the visibility and readership it deserves, because I believe it could become one of those novels about which, in years to come, people will say, "What? You haven't read Rum Hijack?"
4.5 out of 5 stars
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How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member; I enjoyed the last book I read by this author, Secret Kill, so chose this one straight away.
In a Nutshell: Novella, set in Australia, in which an intellectually disabled man becomes obsessed with a neighbour.
Intellectually disabled Benny Goodchild is in his early forties, works in a warehouse where he suffers taunts from colleagues, and lives alone. His life is humdrum indeed, but trouble starts when he starts doing gardening work for Olivia, who lives nearby. Then he gets the opportunity to earn some serious money—the sort of serious that he suspects might be illegal.
I was engrossed in this book all the way through, looking forward to getting back to it at each session. It's written in the third person, with the deep point of view that allows the reader to see into Benny's often rather confused mind. The story has been planned well, and I couldn't work out what was going to happen, at all—it could have taken a number of different turns. Ms Storey has an easy, flowing writing style, and the characterisation is subtly but artfully developed, even for lesser characters.
I would have given it five stars if it wasn't for a practical issue that didn't convince me, but I do tend to read with an editor's head on, and I doubt it would bother most people; if Amazon ratings had a ten star range, I'd give it eight. Overall, this is a highly entertaining book throughout which I was not tempted to skip-read once (which is something, for me!) and it comes with a definite recommendation. Buy it!
4 out of 5 stars
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How I discovered this book: it was submitted to Rosie's Book Review Team, of which I am a member.
In A Nutshell: Five twenty-somethings investigate a supposedly haunted abandoned asylum on a Scottish island.
A highly atmospheric story that gathers momentum like skeletal fingers walking slowly up your back, Highland Cove is a book that will delight lovers of dark, horrifying ghost stories that do not necessarily end well...
The party of five who set out on this foolish mission—to make a documentary in a haunted asylum on a lonely Scottish island—each have their own story, and the characters are well-defined, particularly Liam, for whom this project is something of a passion, and Alex, the sceptical rich boy who has been invited purely because he is willing to fund it. Dylan Morgan's descriptive powers are first class, and I particularly liked the meeting in the pub, early on, with the old sailor who was to take them across from the mainland.
I was pleased to find that the horror certainly ramps up during the second half, with many surprises, and I thought the last twenty per cent was actually the best part, with a twist in the tale or two that I didn't expect, at all. I felt that some of the detail in the first half could have been chopped down a little, but on the whole I'd say that this is a fine, well-written book with good plot, and I'd definitely recommend it to anyone who likes to become immersed in a novel on the gory horror end of the supernatural genre.
